Every room in Skymoore’s Below-Ground Emergency Homes had a painting featuring an approximation of what its view might be like if its occupant were living above-ground and their home hadn’t been destroyed in a terrible accident. Government-appointed art thieves would sneak into the room at specifically scheduled times and replace one painting with another, depicting dawn, morning, sunset, night, etc. The art thieves weren’t nearly as quiet as they thought they were and none of the paintings were especially high quality or effective, but everyone living in a below-ground emergency home had bigger things to worry about, so they pretended that the service was useful, or at the very least, did not vocalize its worthlessness.
Karessa Plunderton was considering filing a complaint, however, when she realized one morning that not only had the expected art heist failed to occur, but the clock in her room had ceased functioning. She had lost track of time pacing the room, reciting lines for an upcoming one-act play that slipped from her mind as soon as she spoke them, until her mother returned from a fruitless job hunt and asked her why she hadn’t started her day. What she thought had been pre-dawn had transformed into early morning while she wasn’t looking.
Naturally the one time Karessa woke up early, she was punished for it. And the day’s inconveniences were only beginning. Continue reading “Come One, Come All, Part One”